Many of us toil in private for years before we are ready with both our skill level and emotional fortitude to submit work for publication. But where can we submit our precious pages? Depending on what you write and which audiences you’re trying to reach, the answer to that question differs.

Last month, I wrote about how listening and observing combine to improve dialogue-writing sk

Whether you are quietly whispering to yourself, “I am a writer,” or shouting it as loudly as you can, creating a book-length work IS an intimidating process. How do you even begin to do this?

Last summer, I wrote a post about dialogue writing. I’m a conversationalist, a dialogue fan.

How S.M.A.R.T. goals support a writer’s plan

From April 5 to May 5, I taught at three writing conferences, hosted the 4th Anniversary of the Books and Beer book club, and led a writing workshop for a total of twelve “event” days. Frankly, I’m a little tired, but I’m also grateful and rather excited to edit my work in progress and start a new project. Here’s why . . .

I'm pleased Amanda Zieba is able to join us again. Amanda is an author, a word nerd, a mom, a wife, a teacher, and so much more. Today she discusses plotting your story or writing by the seat of your pants, aka being a pantser. Amanda originally published this article on her website. The question of whether a writer should carefully plot out a story or whether it is okay to write by the seat of your pants is one that is asked often at writing workshops and conferences.